I Did It Again Britney Spears Release Date
| Oops!... I Did It Again | ||||
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| Studio album by Britney Spears | ||||
| Released | May 3, 2000 (2000-05-03) | |||
| Recorded | 1999–2000 | |||
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| Genre |
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| Length | 44:37 | |||
| Label | Jive | |||
| Producer |
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| Britney Spears chronology | ||||
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| Singles from Oops!... I Did It Again | ||||
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Oops!... I Did It Over again is the second studio album by American singer Britney Spears released on May three, 2000, through Jive Records. Though much in the vein of her debut album ...Baby One More Time (1999), information technology is a pop, dance-popular, and teen pop record, the album incorporates a more funkier and R&B sounds.[1] Contributions to the album's production came from a wide range of producers, including Max Martin, Rami Yacoub, Per Magnusson, David Kreuger, Kristian Lundin, Jake Schulze, Darkchild, and Robert John "Mutt" Lange.[2]
Upon its release, Oops!... I Did It Again received positive reviews from music critics, who praised its product, sonic quality and Spears' song functioning. The album became a massive commercial success, debuting at number one in over xv countries while peaking inside the tiptop x in various others. In the The states, it debuted at number one on the Billboard 200, with first-week sales of 1.39 one thousand thousand copies, becoming the fastest selling album by a female artist since Nielsen SoundScan began tracking point-of-auction music purchases in 1991.[iii] This tape was broken fifteen years later by Adele's 25, which sold over three.38 million copies in its first week of release.[4]It became Spears' 2d sequent album to be certified Diamond by the Recording Industry Association of America, denoting sales of over 10 million copies in the United States, making Spears at age 18 the youngest artist to accept multiple diamond albums.[v] With worldwide sales of over 20 1000000 copies,[6] Oops!... I Did It Again is one of the all-time-selling albums of all-fourth dimension.
Four singles were released to promote the album. Its title rail was commercially successful in a number of territories, reaching number one in fifteen countries and peaking at number nine on the US Billboard Hot 100. Its second single, "Lucky", peaked at number one in Austria, Germany, Sweden and Switzerland, inside the top x in Australia, Belgium, Canada, Denmark, Ireland, Italian republic, holland, New Zealand, Norway, Poland, Romania and the U.k., and at number 20-iii on the US Billboard Hot 100. Its 3rd single, "Stronger", reached the top x in Republic of austria, Finland, Germany, Poland, Romania, Sweden, Switzerland and the United Kingdom, and peaked at number 11 on the US Billboard Hot 100. "Stronger" became the highest-selling single off the album, receiving a Golden certification in Commonwealth of australia, Denmark, Germany, New Zealand, Sweden, and the U.s.a.. Its final single, "Don't Permit Me Be the Last to Know", was moderately successful on the charts, peaking at number one in Romania, and within the meridian 10 in Austria, Poland, and Switzerland, merely failed to chart on the US Billboard Hot 100. To promote the album, Spears performed on several television shows and laurels ceremonies, including a controversial performance at the 2000 MTV Video Music Awards. She besides was the host and musical guest for the beginning time on Sat Nighttime Alive. Furthermore, Spears embarked on a concert tour, entitled the Oops!... I Did Information technology Again Tour, starting on June 20, 2000 and ending at the Stone in Rio festival on Jan 18, 2001.
Recording and production [edit]
"When I did the starting time album, I had just turned 16. I hateful, when I await at the album embrace, I'm similar, 'Oh, my lordy.' I know this next album'south going to be totally different--specially the material. I simply got finished recording the commencement six tracks in Sweden two months ago, and the material is so much more funkier and edgier. And, of course, it's more mature because I've grown every bit a person likewise."
—Spears on the progression of her fabric for the album.[vii]
Later vacationing for six days following the completion of the ...Baby I More Time Tour in September 1999,[eight] Spears returned to New York City to begin recording songs for her next anthology; the majority of the recording took place in November. It featured contributions from Max Martin, Eric Foster White, Diane Warren, Robert Lange, Steve Lunt, and Babyface.[9] The songs "Oops!... I Did Information technology Again", "Walk on Past" (later covered by Gareth Gates), "What U Come across (Is What U Get)", and "Don't Go Knockin' on My Door" were the starting time to exist recorded at Martin's Cheiron Studios in the first week of November; followed by "Stronger" and "Lucky", which were finalized (forth with the title track) in January 2000. Spears recorded "Don't Permit Me Be the Terminal to Know" at Robert Lange's villa in Switzerland in Dec 1999; Lange produced the vocal.[ten] "Where Are Yous Now" was an outtake from ...Babe 1 More than Time. "Girl in the Mirror" and "Tin't Make You Dearest Me"'s instrumental rail and tune were recorded in the fall of 1999 in Sweden, with Spears recording the vocals in mid-January at Parc Studios in Orlando, Florida.[xi] [12] Spears returned to New York, linking upwardly with producer Steve Lunt to record Diane Warren'southward "When Your Optics Say It" at Battery Studios on Fri, January 28, 2000, which preceded her TRL appearance that day. "One Kiss from You" was also recorded at Battery Studios but was later finished at 3rd Floor in New York City. Spears also recorded the last rails for the anthology "Beloved Diary" which would afterward be completed at East Bay Recording in Tarrytown, New York and at Avatar Studios in New York City. Another song recorded during these sessions was "Heart". Her cover of "(I Tin't Go No) Satisfaction" was recorded with Rodney Jerkins at Pacifique Recording Studios in Hollywood, California during February 24–26, 2000 afterwards attending the 42nd Annual Grammy Awards.[13]
By January, the and so-untitled anthology was halfway to completion; Spears had worked on it primarily in the The states and Sweden, and finalized textile in New York Urban center.[9] She was heavily pressured afterward ...Baby 1 More Time 'southward huge commercial success, stating: "Information technology'due south kind of hard following 10 one thousand thousand, I accept to say. But after listening to the new fabric and recording it, I'thou really confident with it."[fourteen] Upon the release of Oops!...I Did It Again, Spears said: "I mean, of course there'south some force per unit area", and added: "But in my opinion, [Oops!] is a lot ameliorate than the first album. Information technology's edgier – it has more of an attitude. It's more me, and I recollect teenagers will relate to it more." Geoff Mayfield, manager of Billboard charts, added that the decision to release Oops!... I Did It Once again less than a yr and a one-half later on Spears' debut amounts to "very smart timing. My philosophy is when you lot have a immature fan base, go 'em while they're hot."[15]
Music and lyrics [edit]
Oops!... I Did It Again was considered as a sequel to Spears' debut anthology, ...Baby One More Time (1999),[1] percolating with a carefully measured blend of familiar pop, funk, R&B and power balladry.[xvi] Spears said during an interview that the album has a more mature, R&B-flavored pop sound. "It's not something I changed purposefully", Spears said of the anthology'due south sound and added: "Information technology's merely something that kind of changed on itself with me being older. My voice has inverse a little bit and I'g more confident, and I think that comes across on the fabric."[7] Ane of its producers, Rodney "Darkchild" Jerkins talked virtually working with Spears on a Rolling Stones cover, stating: "It'south going to shock everybody", adding: "It has flavors of the original, but it's a direct 2000 version — new to the ear. Which I retrieve is cool, because people who appreciate that song are going to love it. And I made it so new and immature that the young kids that beloved Britney are going to love it. It'southward going to take hold of both a mature and young audience."[17] Spears worked with Robert "Mutt" Lange on "Don't Let Me Be the Final to Know", telling MTV News: "When you lot hear the song, it'south so pure and delicate. It's just one of those songs that pull yous in", and added: "I retrieve they wrote it 'peculiarly for me, because the lyrics of the song, if you lot really heed … they're more of what I tin relate to, 'cause they're kind of young lyrics, I recall. I don't remember Shania would probably sing some of the words that I'm maxim."[17]
The title track and opening song, "Oops!... I Did It Again", was compared to her debut unmarried, "...Babe One More than Time" (1998), featuring a slap-and-popular bassline, synthesizer chord stabs and a mechanized beat. Lyrically, the song sees Spears alarm to an overeager prospective lover: "Oops, yous retrieve I'k in dearest/That I'm sent from to a higher place — I'm non that innocent."[xviii] The vocal also breaks downward for a spoken-word interlude, involving a line from the film Titanic (1997).[eighteen] The 2d rail "Stronger" is a synthpop[xix] and R&B-infused track,[17] which is lyrically a declaration of independence, where Spears leaves a partner who treats her like property.[20] The line "my loneliness ain't killing me no more" makes reference to the verse "my loneliness is killing me" from her song "...Baby One More Time".[17] Another R&B-infused track, which also adds a chip more funk to the mix,[17] "Don't Go Knocking on My Door" finds Spears confidently forging alee after a breakdown.[20] The quaternary track, a cover of the Rolling Stones' "(I Can't Become No) Satisfaction", begins with mushy guitar plucking and breathy coos, until a dry out, crackling lockstep is thrown down, turning the song into an urban stomp.[21] The dance-pop version also jettisons the song's last poesy and adds some new lyrics[17] ("how white my shirts could be" becomes "how tight my skirt should be").[22] "[It] was my idea [to tape the song]", Spears said. "I was just like, 'I similar this song,' and I recollect information technology will be a really absurd combination working with [hip-hop producer] Rodney [Jerkins] and doing a actually funky song similar that."[xiii] The fifth runway, "Don't Let Me Be the Last to Know", was co-written by land-pop singer-songwriter Shania Twain and her so-husband, producer Robert "Mutt" Lange, who as well produced the rail.[17] The ballad, which boasts a slinky keyboard riff and Lange's characteristically lavish production, finds Spears assuasive a bit of land twang into her vocals every bit she begs a lover to reveal his feelings: "My friends say you're into me ... just I need to hear information technology straight from yous", she sings.[17]
The 6th track "What U Run into (Is What U Get)" demands respect by rebuking a jealous partner,[20] while the seventh track, "Lucky", is a heart-rending tale of a Hollywood starlet'southward loneliness, proving that fame can be empty.[20] "If in that location'southward nothing missing in my life/And then why do these tears come up at night?", she asks.[19] "School trounce" is the theme of "Ane Buss from You",[20] a track that has a reggae-fashion beat and lyrics about the feelings of falling in love, and the quickness of it,[23] with Spears cooing that after just i kiss she sees her unabridged future with her lover.[24] The ballad "Where Are You Now" talks about wanting to know where a previous love is, and what that person is upwardly to, so that she tin can finally let them go and discover closure.[ citation needed ] Lines on "Tin't Make You Honey Me", a Europop song,[21] land that fancy cars and coin stake in comparison to true love,[20] with Spears singing: "I'm just a girl with a vanquish on you."[21] The mid-tempo, synth-backed "When Your Optics Say It", written past songwriter Diane Warren, combines a string section with a loping hip hop beat,[17] while Spears makes her own songwriting debut on the modest, keyboard-driven ballad "Dear Diary", which she said is autobiographical. On the track, she sings of wanting to become "then much more than friends" with a boy.[17]
Release and promotion [edit]
In tardily 1999, Spears promoted her upcoming album in Europe with live performances of her past songs. She appeared on Smash Hits in the Britain.[25] In Italy, she did a brusque interview on the television bear witness TRL Italian republic in early 2000.[25] and gave a surprise operation in Paris in May 2000.[26] In Commonwealth of australia, Spears appeared on The House of Hits and Russell Gilbert Live on May 13.[25] In Spain, she gave an interview with El Rayo on September 8 and October 24.[25] Spears performed at large venues in the U.k., including Birmingham, the Wembley Loonshit in London, and the Manchester Evening News Arena. She was accompanied by NSYNC, who toured with her during a short United kingdom of great britain and northern ireland outing in October 2000.[26]
Oops!... I Did It Again was beginning released in Japan on May 3, 2000, and was later released in the United States on May 16. In the United States, Spears appeared on Saturday Night Alive on May 13, The Rosie O'Donnell Prove on May 15, and Teen People'south 25 Under 25 on May 26.[27] On May 10, she was interviewed on Late Night with Conan O'Brien.[25] On May 13, Spears was both the host and musical guest on NBC's Sat Night Live. She also performed on NBC's The Tonight Prove with Jay Leno on May 23.[28] Spears' held her post-TRL listening political party, "Britney's Showtime Listen", on May 16, and was toast the arrival of her anthology on next Tuesday'south installment of TRL that started at 3:thirty p.one thousand. (ET).[29] On May xiv, she was at Times Square studios for two hours of "Britney Alive" that started at noon.[29] Spears performed "Oops!... I Did It Again" on MTV's All Access: Backstage with Britney that was broadcast on July 19, 2000.[25] On September vii, at the 2000 MTV Video Music Awards in New York Metropolis at the Radio City Music Hall, Spears gave a memorable live performance.[30] which included a cover of the Rolling Stones's hit single "(I Tin can't Get No) Satisfaction" (1965) and her ain hit "Oops!... I Did It Again", released earlier that yr. While she began her segment in a blackness suit, she shocked the audition and the media while, at only the age of eighteen, ripped information technology off to brandish a revealing, mankind-colored stage outfit with hundreds of strategically placed Swarovski crystals.[31] 1 month before the release of the album, Spears headed to Hawaii on Easter Lord's day so she could tape a Fox television special titled Britney Spears in Hawaii. The gratis concert was held on the embankment in front of the Hilton Hawaiian Village lagoon in Honolulu, Hawaii.[32] The Play tricks concert issue was intended to serve every bit a preview of Spears' Oops!... I Did Information technology Again album that features her twelve new songs.[32] Spears had on a calendar month-long international promotional tour in back up of Oops!... I Did Information technology Once more, and on May 2, she had a press event at Kokusai Forum Hall in Tokyo, and fabricated stops in both London and Hawaii.[33] Spears was also amidst the scheduled performers on the 42nd Annual Grammy Awards, which aired on CBS at viii p.m. (ET/PT).[34] She was also expected to appear on a Grammy-day TRL.[34]
The album'south supporting tour, the Oops!... I Did Information technology Again Tour, visited North America, Europe, and Brazil as part of Rock in Rio. On the Crazy 2k Tour, Spears introduced the songs "Oops!... I Did It Again" and "Don't Let Me Be the Concluding to Know". On June 24, 2000, Spears was featured in a print and television ad campaign for Clairol's Herbal Essences shampoo line. In a special coup for Clairol, Spears recorded her own song for the make called "I've Got the Urge to Herbal" that was featured in 60-second radio spots and was office of a pre-concert video presentation for Spears's fifty-city summer concert tour, in which Herbal Essences was the bout sponsor.
Singles [edit]
"Oops!... I Did Information technology Again" was released as the lead single from the anthology and achieved worldwide popularity. It became Spears'south third top-ten hit single on the US Billboard Hot 100, peaking at number nine; however, in comparing to the huge success of her debut single "...Baby One More Fourth dimension", Jive Records considered "Oops!... I Did It Again" a modest disappointment.[36] The song peaked at number i on the US Mainstream Meridian 40,[37] holding the record for the most radio additions in one day. "Oops!... I Did Information technology Again" peaked atop the charts in Australia, Belgium, Canada, Italia, holland, New Zealand, Norway, Poland, Romania, Spain, Sweden, Switzerland and the United Kingdom.[38] An accompanying music video for "Oops!... I Did It Once again" saw Spears on Mars in now-iconic crimson shiny catsuit, while she is visited by an American astronaut who easily her the fictional Heart of the Ocean precious stone which Rose threw into the sea at the end of Titanic.[39]
The album's 2d unmarried, "Lucky", was released on July 25, 2000 and received positive response from the music critics, who considered ane of her best offerings from the album. Commercially, "Lucky" topped the charts in Austria, Germany, Sweden and Switzerland, while reaching number v on the UK Singles Chart.[40] In the The states, "Lucky" only managed to acme at number xx-three on the Billboard Hot 100 nautical chart and at number nine on the Mainstream Top 40.[36] The "glittery" music video sees Spears as the narrator and an extra named Lucky, who is a melancholy film star and shows her conflicted relationship to fame.[41]
The third unmarried, "Stronger", was released on October 31, 2000 and became the anthology's 2nd highest-charting single in the United States, peaking at number 11 on the Billboard Hot 100 and number one on the Hot Single Sales.[36] Information technology reached number seven on the United kingdom Singles Chart.[42] Its music video sees Spears catching her young man cheating on her at a futuristic turntable nightclub, driving off, getting in a wreck and singing in the rain,[41] while the chair sequence in the video was inspired by Janet Jackson's video for "The Pleasure Principle".[43]
The 4th and final single, "Don't Permit Me Be the Terminal to Know", was released on March 12, 2001 and is one of Spears' favorite tracks of her career. In the United States, the vocal performed well below expectations, declining to chart on the Billboard Hot 100 nor the Mainstream Height forty. Still, the vocal attained success in Europe, topping the Romanaian Peak 100 and peaking inside the peak ten in Austria, Poland and Switzerland, while just missing the top x in Germany, Ireland, Sweden and the United Kingdom, peaking at number twelve in all of them.[44] The music video was considered too racy at the time, portraying Spears in love scenes with her fictional fellow, played by French model Brice Durand.[45]
"You Got It All" received a promotional release in France in May 2000. A promotional CD single for "When Your Eyes Say Information technology" was released in the United Kingdom in Jan 2001.[ commendation needed ]
Critical reception [edit]
| Amass scores | |
|---|---|
| Source | Rating |
| Metacritic | 72/100[47] |
| Review scores | |
| Source | Rating |
| AllMusic |   [one] |
| Billboard | favorable[16] |
| Christgau's Consumer Guide |  [48] |
| Entertainment Weekly | B[21] |
| Los Angeles Daily News | [49] |
| MTV Asia | eight/x[50] |
| NME | viii/10[xix] |
| Rolling Stone |  [22] |
| Salon | favorable[51] |
| Sonic.internet | [52] |
Oops!... I Did It Once more received favorable reviews from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, Oops!... I Did It Once again received an average score of 72, based on 12 reviews, indicating "more often than not favorable reviews".[53] Giving the album four out of 5 stars, Stephen Thomas Erlewine of AllMusic noted that the album "has the same combination of sweetly sentimental ballads and endearingly gaudy dance-pop that fabricated 'One More than Time'," but remarked that, "Fortunately, she and her product team not only have a stronger overall set of songs this time, but they too occasionally get carried away with the same bewildering magpie aesthetic, [...] giv[ing] the album graphic symbol apart from the well-crafted trip the light fantastic-pop and ballads that serve every bit its heart. In the stop, it's what makes this an entertaining, satisfying listen."[1] Billboard mag wrote that "'Oops!...' indicates that she's developing a soulful border and emotional depth that tin't be conjured with a glass-shattering note," praising the album for consistently bandage[ing] Spears as a young woman coming to terms with her inner ability—and that's a darn good message to offer an impressionable audience."[16] Entertainment Weekly'due south David Browne gave the album a B-rating, writing that the album "reminds us once again that the best new pop tin be a blast of cool air in a stifling room."[21]
Rob Sheffield of Rolling Stone gave the anthology a three-and-a-half out of v stars rating, calling the album "fantastic popular cheese, with much ameliorate song-mill hooks than 'N Sync or BSB get", as well noting that "the great matter most Oops!, nether the cheese surface, is complex, fierce and downright scary, making her a true child of stone & roll tradition."[22] A author of NME reported that "she'southward modernistic-day pop perfection realised in a nearly, human grade", commenting that "she's done information technology once more."[19] Lennat Mak of MTV Asia named it "a vivid second album", writing that Spears "is armed with a more mature and seasoned pop star await, stronger and poppier songs, and of course, extensive media exposure."[50] Andy Battaglia of Salon chosen the anthology "a masterpiece of sorts not for its message but for the style it applies the conventions of the popular-musical medium."[51] Website The A.Five. Club was more mixed, calling information technology "a joyless bit of redundant, obvious, competent cheese, recycling itself at every turn and soliciting songwriting from such soulless hacks every bit Diane Warren and assorted Swedes."[54]
Accolades [edit]
Commercial functioning [edit]
In the The states, Oops!... I Did It Over again reportedly sold 500,000 copies in its beginning twenty-four hours of release.[sixty] It debuted at number one on the Billboard 200 chart, with first-calendar week sales of 1,319,193 copies.[61] [62] [63] With its success, Spears held the tape for the highest first-week sales by a female person artist.[64] This record was held for 15 years, just to exist surpassed in November 2015 by the anthology 25 by Adele, which sold over 3.38 one thousand thousand albums in the The states in its get-go week.[4] The album fell to number two in its 2nd week, with additional sales of 612,000 copies.[65] It held this position for fifteen consecutive weeks.[66] [67] By its fifth week of availability, Oops!... I Did It Again had sold over iii million copies and had passed 5 million copies by August.[68] On its seventeenth week on the chart,[69] it was certified septuple Platinum past the Recording Industry Clan of America (RIAA) for shipments of vii 1000000 units.[70] [71] The album spent eighty-iv weeks on the Billboard 200, 30-one weeks on the Canadian Albums Chart, and two weeks on the The states Catalog Albums.[72] Oops!... I Did It Again debuted at number 80-two on the European Top 100 Albums, and quickly peaked at number one;[73] it sold over 4 meg copies within the continent, being certified 4-times Platinum by the International Federation of the Phonographic Industry.[74] Oops!... I Did It Again reached number two on the UK Albums Chart,[38] selling 88,000 copies in the first week of release; information technology remained in the top five for four weeks. The album debuted at number one in Canada, selling 95,275 copies in its starting time week.[75]
Information technology topped the French Albums Nautical chart[76] and the High german Offizielle Top 100, also being certified triple Platinum by the British Phonographic Manufacture (BPI),[77] double Gold by the Syndicat National de l'Édition Phonographique (SNEP)[78] and triple Platinum past Bundesverband Musikindustrie (BVMI),[79] denoting shipments to retailers of 900,000 units, 200,000 copies sold and 900,000 units shipped, respectively. Additionally, the album debuted at number two on the Australian Albums Chart, and spent x weeks in the top twenty;[eighty] it became the fourteenth highest-selling of 2000 in the country and was certified double Platinum past the Australian Recording Industry Clan (ARIA) the post-obit yr after shipping 140,000 copies to retailers.[81] [82] Oops!... I Did Information technology Once again opened at number iii on the New Zealand Albums Chart and was certified Gilt after just ane week on the chart.[83] The Recording Manufacture Association of New Zealand (RIANZ) ultimately certified it double Platinum.[84] Oops!... I Did It Again became the 3rd best-selling anthology of 2000 in the U.s.a., selling 7,893,544 albums according to Nielsen SoundScan[85] and quaternary best-selling album co-ordinate to Billboard Year-Terminate of 2000.[86] On January 24, 2005, the album was certified decuple Platinum (Diamond) past the Recording Industry Association of America (RIAA).[87] [88] Also, the album landed at number twenty-seven on BMG Music Club all-time best-sellers list with ane.21 million units, behind Shania Twain'due south The Adult female in Me (1.24 million) and Nirvana's Nevermind (1.24 meg).[89] As of July 2009, the album has sold ix,184,000 copies in the United states of america, excluded copies sold through clubs, such as the BMG Music Service.[90] Worldwide, Oops!... I Did It Again sold ii.five million copies in its outset week (2d highest first week sales by a female artist worldwide) and sold 15 million copies by the finish of the year. It was the best-selling female anthology and 3rd all-time selling album of 2000. The album has sold xx meg copies worldwide.[6]
Controversy [edit]
Musicians Michael Cottril and Lawrence Wnukowski filed a copyright instance confronting Spears, Zomba Recording Corporation, Jive Records, Wright Entertainment Grouping and BMG Music Publishing, claiming Spears' "What U See (Is What U Get)" and "Can't Make You Dear Me" are "virtually identical" to ane of their songs. Cottrill and Wnukowski claimed that they authored, recorded and copyrighted a song chosen "What You Come across Is What Y'all Get" in 1999 to one of Spears' representatives for consideration on a future album, though it was rejected.[91] The example was afterward dismissed after information technology was ruled that they lacked sufficient bear witness and that there "weren't plenty similarities betwixt the ii songs to show copyright infringement."[92]
Track listing [edit]
| No. | Title | Writer(s) | Producer(s) | Length |
|---|---|---|---|---|
| 1. | "Oops!... I Did It Again" |
|
| iii:31 |
| two. | "Stronger" |
|
| 3:23 |
| 3. | "Don't Go Knockin' on My Door" |
|
| 3:43 |
| iv. | "(I Tin't Get No) Satisfaction" |
| Rodney Jerkins | 4:23 |
| 5. | "Don't Let Me Be the Last to Know" |
| Lange | iii:50 |
| six. | "What U Run across (Is What U Get)" |
|
| 3:36 |
| 7. | "Lucky" |
|
| 3:26 |
| viii. | "1 Kiss from You lot" | Steve Lunt |
| three:23 |
| ix. | "Where Are Y'all Now" |
|
| four:39 |
| 10. | "Can't Brand Y'all Dear Me" |
|
| 3:17 |
| xi. | "When Your Eyes Say It" | Diane Warren |
| 4:29 |
| 12. | "Love Diary" |
|
| 2:46 |
| Total length: | 44:37 | |||
| No. | Title | Writer(due south) | Producer(s) | Length |
|---|---|---|---|---|
| 12. | "Girl in the Mirror" | Elofsson |
| 4:06 |
| 13. | "Beloved Diary" |
|
| ii:46 |
| Total length: | 48:24 | |||
| No. | Title | Writer(southward) | Producer(due south) | Length |
|---|---|---|---|---|
| 11. | "When Your Eyes Say It" | Warren |
| 4:06 |
| 12. | "Girl in the Mirror" | Elofsson |
| 3:36 |
| 13. | "Y'all Got It All" | Rupert Holmes | Eric Foster White | 4:43 |
| 14. | "Dear Diary" |
|
| two:46 |
| Total length: | 52:33 | |||
| No. | Title | Writer(due south) | Producer(southward) | Length |
|---|---|---|---|---|
| xi. | "When Your Eyes Say It" | Warren |
| 4:06 |
| 12. | "Girl in the Mirror" | Elofsson |
| iii:36 |
| 13. | "You lot Got Information technology All" | Holmes | White | iv:10 |
| fourteen. | "Eye" |
|
| 3:31 |
| xv. | "Dear Diary" |
|
| 2:46 |
| Total length: | 55:34 | |||
| No. | Title | Length |
|---|---|---|
| 1. | "Don't Let Me Exist the Last to Know" (Anthology version) | three:50 |
| 2. | "Don't Allow Me Be the Last to Know" (Hex Hector Radio Mix) | 4:01 |
| three. | "Don't Let Me Be the Last to Know" (Hex Hector Society Mix) | ten:12 |
| iv. | "Stronger" (MacQuayle Mix Show Edit) | 5:21 |
| 5. | "Stronger" (Pablo La Rosa'due south Tranceformation) | 7:21 |
| 6. | "Oops!... I Did It Again" (Music video) | 4:11 |
| 7. | "Lucky" (Music video) | 4:07 |
| 8. | "Stronger" (Music video) | iii:37 |
| 9. | "Don't Permit Me Be the Last to Know" (Music video) | 3:51 |
| Total length: | 30:52 | |
| No. | Title | Length |
|---|---|---|
| one. | "Oops!... I Did It Once again" (Music video) | iv:20 |
| 2. | "Lucky" (Music video) | 4:14 |
| 3. | "Stronger" (Music video) | three:47 |
| four. | "Oops!... I Did It Again" (Karaoke) | 4:17 |
| v. | "Lucky" (Karaoke) | 4:xviii |
| half dozen. | "Stronger" (Karaoke) | 3:46 |
| Total length: | 25:25 | |
Notes
- Track 4, "(I Can't Get No) Satisfaction" is a cover of the 1965 Rolling Stones unmarried.
- ^a signifies a vocal producer
Personnel [edit]
Credits adjusted from AllMusic.[100]
- Britney Spears – vocals, background vocals, spoken words, concept
- Steve Lunt - A&R, composer, producer, cord arrangements
- Jeanne LeBlanc – cello
- Jesse Levy – cello
- Kermit Moore – cello
- Eugene J. Moye – cello
- Harvey Mason, Sr. – editing
- Bobby Dark-brown – assistant engineer
- Flip Osman – assistant engineer
- Clayton Forest – banana engineer
- Anthony Ruotolo – assistant engineer
- Alfred Bosco – banana engineer
- Shane Stoneback – banana engineer
- Charles McCrorey – engineer, assistant engineer
- Michel Gallone – engineer, mixing engineer
- Chris Trevett – engineer, vocal engineer, mixing engineer
- Eric Gast – engineer
- Tim Donovan – engineer
- Harvey Mason, Jr. – engineer
- Dan Gellert – engineer
- John Amatiello – engineer
- Stephen George – mixing engineer
- Dexter Simmons – mixing engineer
- Chris Tergesen – string engineer
- Michael Tucker – vocal engineer
- Jackie Murphy – art direction, design
- Marker Seliger – back cover, encompass photo
- Larry "Stone" Campbell – bass, guitar, producer, drum programming
- Marji Danilow, Judith Sugarman, Thomas Lindberg – bass
- Esbjörn Öhrwall – guitar
- Johan Carlberg – guitar
- Michael Thompson – guitar
- Kali – pilus stylist
- Gloria Agostini – harp
- Max Martin – keyboards, programming, producer, mixing engineer, spoken word
- Robert "Esmail" Jazayeri – keyboards, producer, drum programming
- Per Magnusson – keyboards, programming, producer, mixing engineer
- Jake – keyboards, programming, producer, mixing engineer
- Kristian Lundin – keyboards, programming, producer, mixing engineer
- Rami – keyboards, programming, producer, mixing engineer
- David Kreuger – keyboards, programming, producer, mixing engineer
- Kent Wood – keyboards
- Elan Bongiorno – brand-upwards
- Johnny Wright – direction
- Tom Coyne – mastering
- Nigel Greenish – mixing
- Jon Ragel – photography
- Barry Eastmond – piano, usher, keyboards, producer, engineer, orchestral arrangements
- Rodney Jerkins – producer, engineer, vocal arrangement, mixing engineer
- Robert John – producer
- Timmy Allen – producer
- Richard Meyer aka Swayd – programming
- Cory Churko – programming
- Kevin Churko – programming
- William Meade – string coordinator
- Hayley Hill – stylist
- Alfred V. Brown – viola, orchestra contractor
- Julien Barber – viola
- Olivia Koppell – viola
- Harry Zaratzian – viola
- Maxine Roach – viola
- Stephanie Baer – viola
- Richard Henrickson – violin, concertmaster
- Sanford Allen – violin
- Belinda Whitney-Barratt – violin
- Sandra Billingslea – violin
- Winterton Garvey – violin
- Gerald Tarack – violin
- Joyce Hammann – violin
- Stanley Hunte – violin
- Regis Iandiorio – violin
- Gene Orloff – violin
- Marion Pinhiero – violin
- Marti Sweet – violin
- Amahid Ajemian – violin
- Xin Zhao – violin
- Margaret Magill – violin
- Ashley Horne – violin
- Nikki Gregoroff – groundwork vocals
- Audrey Martells – background vocals
- Nana Hedin – background vocals
- Darryl Anthony – background vocals
- Nora Payne – background vocals
- Jeanette Söderholm – groundwork vocals
- Therese Ancker – background vocals
- Charlotte Björkman – background vocals
- Andres Von Hofsten – groundwork vocals
- Nina Woodford – groundwork vocals
- Mona Yacoub – background vocals
- Jeanette Olsson – groundwork vocals
- Stephanie Baer – background vocals
Charts [edit]
Weekly charts [edit]
| Year-end charts [edit]
Decade-end charts [edit]
All-fourth dimension charts [edit]
|
Certifications and sales [edit]
Release history [edit]
Encounter also [edit]
- Listing of acknowledged albums
- List of acknowledged albums by women
- Listing of best-selling albums in the United States
- List of fastest-selling albums
Notes [edit]
- ^ As of December 2010, Oops!...I Did Information technology Again has sold nine,201,000 copies in the United states of america according to Nielsen SoundScan,[186] with additional 1,210,000 copies sold at BMG Music Clubs.[89] Nielsen SoundScan does non count copies sold through clubs like the BMG Music Service, which were significantly popular in the 1990s.[90]
References [edit]
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- ^ "Guld- och Platinacertifikat − År 2002" (PDF) (in Swedish). IFPI Sweden. Archived from the original (PDF) on 2011-05-17.
- ^ "The Official Swiss Charts and Music Community: Awards (Britney Spears;'Oops!... I Did It Again')". IFPI Switzerland. Hung Medien.
- ^ Copsey, Rob. "Albums turning twenty years old in 2020". Official Charts Company. Retrieved 9 Jan 2020.
- ^ "British album certifications – Britney Spears – Oops!... I Did Information technology Again". British Phonographic Industry. Select albums in the Format field.Select Platinum in the Certification field.Type Oops!... I Did It Again in the "Search BPI Awards" field then press Enter.
- ^ Trust, Gary (May 27, 2012). "Ask Billboard: Spears, Lovato'south 'X'-cellent Sales". Billboard . Retrieved April 14, 2022.
- ^ "American anthology certifications – Britney Spears – Oops". Recording Industry Association of America.
- ^ "Premios – 2000" (in Spanish). Cámara Uruguaya del Disco.
- ^ "IFPI Platinum Europe Awards – 2001". International Federation of the Phonographic Industry.
- ^ Amazon.co.jp: ブリトニー・スピアーズ, クリスチャン・ランディン, ダイアン・ウォーレン, ジョーゲン・エロフソン, ルパート・ホルメス, ジョージ・テレン, ジェイソン・ブルーム, マックス・マーティン, ラミ, ミック・ジャガー, シャナイア・トゥエイン : ウップス!アイ・ディド・イット・アゲイン - ミュージック
- ^ Oops!...I Did Information technology Again - Britney Spears: Amazon.de: Musik
- ^ Oops .. I Did It Again!: Britney Spears: Amazon.ca: Music
- ^ Britney Spears, Britney Spears - Oops!... I Did It Again - Amazon
- ^ "Oops!... I Did It Once more (Special U.k. Edition)". AllMusic. October 9, 2000. Retrieved August 31, 2021.
- ^ "Oops!... I Did It Again [Nippon 2001 Bonus Tracks]". AllMusic. February thirteen, 2001. Retrieved August 31, 2021.
- ^ "Oops!...I Did It Again Commonwealth of australia Special Edition w/Bonus Disc of Remixes And Videos". Record Runner USA . Retrieved August 31, 2021.
- ^ "Britney Spears – Oops!...I Did It Once again Express LP". Urban Outfitters . Retrieved March 31, 2019.
- ^ "Britney Spears – Oops!...I Did It Again Limited LP". Urban Outfitters . Retrieved March 31, 2019.
- ^ "Britney Spears – Oops!...I Did It Again Express Cassette". Urban Outfitters . Retrieved March 31, 2019.
- ^ "Britney Spears – Oops!...I Did Information technology Over again 20th ceremony edition motion picture vinyl". BritneySpears. Archived from the original on May 25, 2020. Retrieved March 31, 2019.
Bibliography [edit]
- Salaverri, Fernando (2005). Sólo éxitos. Año a año. 1959-2002 [Merely Hits. Year by yr. 1959-2002] (in Spanish). Madrid, Spain: Iberautor Promociones Culturales. p. 943. ISBN9788480486392.
External links [edit]
- Official website
Source: https://en.wikipedia.org/wiki/Oops!..._I_Did_It_Again_(album)
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